Scare Me No.3

Taken from "Suitcase 2" 2005

Lyrics Unknown

An acoustic track with strong vocals and some great strumming from Bob and another song with the Number 3 in the title, much like the last song. Strange how that works out sometimes. Sounds like one of the acoustic starts that sometimes pepper album tracks that bob does. Crazy lyrics as ever.

3 Year Old Man

Taken from "Devil Between My Toes" 1987

Lyrics Unknown

A spooky sounding guitar fills this track with a metronomic riff that sounds like the start of some "The Who" tracks. An instrumental track that is pretty good but doesnt really take off.

Dog's Out

Taken from "Devil Between My Toes" 1987

"Come to me
Say you will say you won't
Come to me
Say you will say you won't
Come to me
Say you will say you won't
Come to me
Say you will say you won't
And I must get high workin that line
And I must get high workin that line
Don't hide come to me
I'm workin that mile -Don't hide come to me"

A very 60s pop sounding moment from "Devil Between Your Toes" (Is this a reference to foot cheese). A strong track with excellent vibrant vocals by Mr.Pollard and a nice chorus. There are some real gems on the early albums. "Come to Me!" indeed Mr Pollard!

Tainted Angels With Butter Knives

Taken from "Suitcase 2"

Lyrics Unknown.

A muffled and fuzzed up Suitcase track with a bizzare title. The vocals are lost in the muddy mess of recorder fizz and grot. Though Im sure he says "Wankers" at one point. Which is nice. You can hear the beginnings of a lovely melody and song amongst the mud. Nice bass though.

Serious Bird Woman (You Turn Me On)

Taken from "Normal Happiness" 2006

Lyrics Unknown

Bang up to date with music from the 2006 album "Normal Happiness". A nice song but feature some weird warlby vocals by the Pollard-miester. Hard to describe the technique he uses here but it certainly takes some getting used to. What happened to the english sounding geezer in his earlier work? The song almost drifts into being out of tune but manages to stay there and has a nice refrain towards the end. I like "Normal Happiness" but this isnt one of my favourits from it.

Red Ink Superman

Taken from "Motel Of Fools" 2003

"Now and then
She serenades the system
I like looking at the crime
I like looking in
Don't fill up your freezer
At Henry's disco
Last night was all over
Last night is all gone
You paid the price
You paid the bill
Zipping in and out
Where are the perfect suits
Tags still hang
From the red light special
From the blue ink dream
From the white man's money
And you know
Ain't no clouds above ya
Proves the angels love ya
And the white man
Now you wanna go
Now you wanna swim
Working on your man
Red ink superman
We'll even the score in World War IV"

Take from one of my least favourite of the "Robert Pollard" albums. Some of the songs are just too damn weird and discordant for my tastes. This song starts with room sounds, clinking and then ultra-slowed down vocals before we hit the song proper nearly 2 minutes in. Like the pounding drum sounds that appear between the mainly guitar led track. Not a bad song but I find the vocals slightly off and feels like tit once to be epic but doesn't quite get there. Ends in a horrible mess of guitars and randomly played instruments. Nuff said.

Lets's Ride

Taken from "Forever Since Breakfast" 1986

"She looked up in the noonday sun, said, "Fighter jets are so unreal"
But we've got a job to be done, come on

When I was just a boy, I saw the kings of the big gold cities
But as they died I dried up inside -- let's ride

Let's ride on airplanes and buses
Let's ride to the end of the line
Let's ride on fast motorcycles
Let's leave the routines of living behind

We pulled into a tick-tock town and all the people looked so happy
Another trip down the elephant slide -- let's ride

Let's ride on subways and steeples
Let's ride to the end of the line
Let's ride on prescriptions and bottles
Let's leave the routines of living behind

Let's ride on airplanes and buses
Let's ride to the end of the line
Let's ride on fast motorcycles
Let's leave the routines of living behind"

Lets take a trip back in time to the beginning to Guided By Voices and the "Forever Since Breakfast" EP. "Lets Ride" is a very REM inspired song with a nice hook and chorus. The production of this early EP reminds me of early era-REM, in fact the lyrics and everything remind me of REM. REM, but a bit different. Its a nice song. Quite soft and winsome.

Marchers in Orange

Taken from "Fast Japanese Spin Cycle" 1994

"The white line of tracers
For the facers of the aftermath
Positioned in the situation
Lost in battles of love
Not learning not returning
Unborn unhatched
Yeah but wait
It's time to collide
To decide, if you will
A purpose for the marchers in orange
Still circus for the children in disguise
Throwing bones to the drug-sniffing dogs
Projecting what we've come to know as ours
For the colors we wear in our dreams
For the flags we fly in our films"

A glam rock beat great you to this mini-rockathon from the earlier days of Guided By Voices. This is a different version from the Vampire on Titus original and Im not sure if I prefer this amped up version or the original lo-fi strum. Is it about the Orange Men? This time they are marching, they are not in a Parade.

The Best Of Jill Hives

Taken from "Earthquake Glue" 2003

"Paid up weathered and type-o,
clad in gladstone watch him go,
swimming beneath the microscope.
hello lonely bless the nation.
mr. skip to all or none,
wooden soldiers fall upon,
try to find what makes her tick,
while their finding out what makes them sick.

i dont know where you find your nerve,
i dont know how you choose your words,
speak the ones that suit you worse,
keep you grounded, sad and cursed,
circle the ones that come alive,
save them for the best of jill hives.

been around and left you flat,
tragically decided that,
every child of god's a brat,
and shes dying to escape them.
but do we really need to see,
all her punchdrunk history,
and which of it might hold the key
for the exit to her destiny.

i dont know where you find your nerve,
i dont know how you choose your words,
speak the ones that suit you worse,
keep you grounded, sad and cursed,
circle the ones that come alive,
save them for the best of jill hives.
number one in all our souls,
trifle in the crystal bowl,
fill it up with 9 to 5,
save them for the best of jill hives."

A single and one of the most well know Guided By Voices songs. I like the way it builds and has some great lyrics. The chorus as to be some of the most wonderful sounding Poetry that Bob has ever written, just read it and its flows so beautifully. Its a good song but not an absolute favourite of mine and I find the vocal effect a bit off putting, its all sibilance and "sesses" if you ask me. Who is Jill Hives?

Skin Parade

Taken from "Universal Truths and Cycles" 2002

"For Chrissakes, Charley
Send them your love
Pictures from happier times
When babies acted like babies
So did the grown-ups
The band played "We All Fall Down"
And some of us did...

Fly off the wheel
Travel highwired
There are movements necessary
Then there is unnecessary motion
It happens all the time
You can see it swim

In the skin parade

Where other objects move too
Right through you

To the other side
It is come alive!
It is come alive

In the skin parade
In the parade of skin

Celebrating this level
Of concrete movement

Wicked!"

Another Pollard song. Another Parade! The mans Parade Mad! Whats it with Parades! Starts with short acoustic bit with a tinkling of glass in the background and sounds like its recorded in a bar. I like that. The song then turns in a pulsing, industrial piece with off-kilter vocals with disturbing imagery of Skin on Parade. Are we all in the Skin Parade? Ends with a repeated word being shouted out.

Dolphins of Color

Taken from "Five" 2005

"PRAISE ALL YOUR DREAM-LIKE LOVE LIFE
BUILDS ALL YOUR DAYS AROUND
SEAS, AIRPORTS, ASPHALT
THEY CHOSE THE PATH THEY TAKE
BUILD UP YOU’LL NEED YOUR OWN LIFE
STRADDLE/STRAP DOWN
THE EIGHT COUNT SLIDE BREAK WAILS IN TUNE
THE JESTERS OF SYSTEM AWAIT YOU
THE CHILDREN FEEL THE NEED TO PRAY
THE SHADES OF LATER
DROWN THE SOUNDBIRD STATION
SEEKING LOVE
SAFE NOT SAFE FROM HARM
THE PROUD ONES SLAVINGS LONG
CHASING THE STATION
THE BASTARDS WEEP
THEIR RAGE WON’T MENTION
SAVE THEM LIGHT FOR BREAKING DOWN
THE CHILDREN SAY THEY WANT THEIR BREAK
I CHASE THEM AROUND
I CHASE THEM ALL AWAY"

A mounrful Circus Devils song that is made up of a keyboard and strange persussion. Bobs voice is very deep and slow and gives a sense of forboding and darkness but with an uplifting chorus. Circus Devils are an odd band, sort of more experimental, but darker as well. "Dolphins of Color" is also a great name for a song.

Request Pharmaceuticals

Taken from "The Pipe Dreams Of The Instant Prince Whippet"

"Foul and unchanged
climbing the rope
Get in to the mood
do you think there's still hope

voted in no names
prescribing the dope

a father that requires skin
a christian who trusts in his bookie
zoos are the new truth
for the island-shopping rookie

evolutionary big shots
transcribing the words"

A great big fuzzy rock song weighing it at around 2 minutes. Quite an industrial sort of sound with pulsing guitars and drums and some fantastic lyrics. Another minor Classic that probably passes some by.

Asphyxiated Circle

Taken from "Half Smiles Of The Decomposed" 2004

"These thoughts replace when I'm on the floor
I cannot taste the sweetness anymore
You bi-polarize me with each test
Contaminate the faintest breath
For speaking well of in the name
Of where to watch and who to blame
All of us there
What should I wear

For human frailty on parade
To entertain you may invade
A silent party - secret wish
At best an unconvincing kiss

Expand, explode, wrinkle up or blow away

I look you up to let me down
I take the time to track you
Through chosen smoke-screen silhouettes
Who've earned the right to back you
This for so long
Perfect and wrong

You write me out - I reappear
To criticize you interfere
But I will say what I want to
And there is nothing you can do

Expand, explode, wrinkle up or blow away"

All the songs from the final Guided By Voices album have a strange longing and finality about them and many of the songs would stand well as a final song on an album/of a band. This is a great song which sounds like Guided By Voices, like no other band, but Guided By Voices. Even the lyrics hint at the end of an Era. What did GBV do? Expand, Explode, Wrinkle Up or Get Blown Away?

Motor Away

Taken from "Demons & Painkillers" 2003

"When you motor away beyond the once-red lips
When you free yourself from the chance of a lifetime
You can be anyone they told you to
You can belittle every little voice that told you so
And then the time will come when you add up the numbers
And then the time will come when you motor away
Oh, why don't you just drive away?

When you motor away down the icy streets
You can't lie to yourself that it's the chance of a lifetime
You can be anyone they told you to
You can belittle every little voice that told you so
And the time will come when you add up the numbers
And then the time will come when you motor away
Oh, why don't you just drive away?

Come on
Speed on"

A slightly different and gravelly version of the "Alien Lanes" classic. A bone-fide Guided By Voices classic (though I prefer the proper version). As close as GBV come to standard Indie Rock but a sound that captures the sound of American Independant Rock during the Grunge years. Not sure about the echoed vocals at the end but still a good version of a brilliant song. A song to drive cars to.